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Writer's pictureOlivia Scull

The King's Speech - Watermill Theatre REVIEW

I'll begin by admitting that I haven't seen the award-winning film The King's Speech, so I can't offer a direct comparison. However, sometimes coming in with fresh eyes is a good thing.


The King's Speech tells the story of King George VI as he battles a debilitating stammer with the aid of an unconventional speech therapist, Lionel Logue. Through their unlikely friendship and intense therapy sessions, the King gradually gains the confidence to deliver a crucial wartime speech, rallying the nation during World War II.



The Watermill Theatre has brought this story to life in a visceral and captivating way. Every aspect of the production felt meticulously crafted, from the immersive sound design to the simple yet effective set. Each element worked in harmony to enhance the overall experience.


The costume design was particularly mesmerising. Bertie’s suits subtly evolve throughout the show, symbolizing his growing confidence and transformation into a fully-fledged King.




One of the standout elements of the production is the script. It’s filled with genuinely laugh-out-loud moments, balanced by emotional depth and well-executed character arcs. The writing draws you in, making both the humor and heartfelt moments land perfectly.


The chemistry between the characters, especially between Bertie, played by Peter Sandys-Clark, and Lionel Logue, played by Arthur Hughes, is electric. Their initially rocky relationship evolves beautifully on stage, as the characters learn to understand and trust one another.



While Sandys-Clark and Hughes shine in their respective roles, they’re also supported by a strong ensemble of five other cast members, none of whom felt out of place. Sandys-Clark’s portrayal of the stuttering Bertie was especially moving, capturing the vulnerability and determination of a King in the making.


This revival is made even more poignant by the recent passing of David Seidler, the playwright and screenwriter of both the stage play and the 2010 film. Seidler passed away earlier this year at the age of 86, and this production stands as a fitting tribute to his incredible work. Long live the legacy of David Seidler.

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